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我在厦门市歌仔戏剧团乐队工作多年,一直承担着歌仔戏笛子、洞箫的演奏任务,参加了很多演出,有下乡演出,还有大型汇演,如《白鹭女神》《窦娥冤》《邵江海》《蝴蝶之恋》《荷塘蛙声》等剧目,并荣获了国家和省级一系列奖项。我对歌仔戏音乐及伴奏乐器的历史有一定的认识,在演奏过程中发现了一些问题,在此,提出一些自己的粗浅认识,请大家批评、指教。
I have been working in the opera troupe of Xiamen City for many years and have been playing the opera, playing flute and flute. I have participated in many performances, performances in the countryside, and large-scale performances such as “Egret Goddess”, “Dou E Yuan Gang”, “Shao Jiang Hai” “Butterfly Love” “Lotus pond frog” and other repertoire, and won a series of national and provincial awards. I have a certain understanding of the history of Taiwanese opera music and accompaniment musical instruments. I found some problems in the process of performance. Here I would like to propose some superficial understanding of myself and ask everyone to criticize and advise them.