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衡:报道三峡大坝建设,许多图片沸腾浩瀚,您这幅《三峡大坝工地》,稍显静谧却别有情趣。两个巨大的载重卡车车轮,两个形体渺小的劳动者,形成了人与物、大与小的强烈反差;背景初具雏形的坝体以及远景的山脉,庄严地显现“截断巫山云雨,高峡出平湖”的诗情画意。选择这样的镜头,当初是怎么想的?葛:上了点年纪,经历的事多了,总爱把眼前的见闻与逝去的往事做对比。1997年10月我与参加中国新闻摄影理论
Heng: Covering the construction of the Three Gorges Dam, many pictures boil vastly. Your “Three Gorges Dam Site” is a bit quiet but has no appetite. Two huge truck wheels, two small form workers, formed a strong contrast between human and material, big and small; the prototype of the dam has begun to take shape and the mountains of the distant view, solemnly revealing “ High Gap Pinghu ”poetic. Choose such a lens, the original is how to think Ge: on a little older, more experienced, always love the sight of the past and the passing of the past to do contrast. October 1997 I participated in China’s news photography theory