京城一场大雨,牵动国人关注。二环广渠门桥下,救援成为主题。夜色中,路灯下,积水里,一群各色衣装、身份不一的人奋力拉动一根绳子,宛如拔河比赛,实则是爱心与真情的合力。路灯昏黄的光线与路面积水的倒影营造出暖调氛围,但围观的群众、救援者的动态和积水的波纹等,无疑突出了雨后的救援工作仍存在的紧张感。甚至连那个稍稍将相机取景框从眼前移开定睛观看的记者,都无形中强化了现场的氛围。似乎没有更多的刻意,仅仅是在积水中、在人群里找寻一个能够最恰当展示这一感人瞬间的角度,按照正确的曝光组合按下快门。对于一项众人关注的新闻事件来说,第一时间赶赴现场的拍摄记录已足够了——因为摄影记者的勇往直前,我们看到了救援的场景,也会间接体会到生命的脆弱。 A heavy rain in the capital, affecting people’s attention. Second Ring Canton Canal Bridge, rescue became the theme. Night, the lights, water, a group of colored clothing, people of different positions struggling to pull a rope, like a tug of war, but in fact the love and true love together. Dim lighting lamps and road surface water reflection to create a warm atmosphere, but the crowd, rescuers dynamic and water ripples, undoubtedly highlights the rescue work after the rain there is still a sense of tension. Even the journalist who slightly removed the camera’s viewfinder from his eyes and watched the eyes virtually reinforced the atmosphere at the scene. Seems no more deliberate, just in the water, in the crowd to find the one can be the most appropriate demonstration of this moving point of view, according to the correct combination of exposure press the shutter. For a matter of public concern, it is enough for the first shot of the scene to be taken to the scene - as the photojournalist moves forward, we see the scenes of the rescue and indirectly experience the fragility of life.