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正在上海黄浦区图书馆东方展示厅展出的“庞薰琹三代九人艺术展”,组织了一个庞薰琹艺术研讨会,会上谈到了一个值得深入探讨的问题,就是关于中国工艺美术设计的创导、实践者,正是放下手中的油画笔而为此奔走呼号、贡献了自己毕生精力的庞薰琹先生。 1925年,年轻的庞薰琹走出国门赴巴黎学习绘画。他正好赶上十二年一届的巴黎博览会,他对西方国家将美术与现代生活结合的工艺设计尤感兴趣,想去报考巴黎艺术设计学院,却被拒之门外,这就激发了他希望在中国也有自己特色
The “Pang Xun 琹 Three-generation and Nine-person Art Exhibition”, which is being exhibited in the Oriental Exhibition Hall of the Shanghai Huangpu District Library, organized a seminar on the art of Pang Xun, and discussed a question deserved to be discussed in depth. It was about the creation of the Chinese arts and crafts design, Practitioners, it is to put down the hands of the oil pen and rush for this call sign, contributed his life’s Mr. Pang Xun 琹. In 1925, the young Pang Xun 琹 went abroad to go to Paris to study painting. He just caught up with the Paris Expo in his 12-year history. He was particularly interested in the craft design that western countries combined art with modern life. When he wanted to apply for the Paris Institute of Art and Design but was turned away, he inspired him Hope also has its own characteristics in China