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青年处在人生道路的十字路口,可塑性很大。即使是一个由于某种原因走上了犯罪道路的青年,只要理性还没有彻底泯灭,内心世界还存留着些微向善的土壤,就不是绝对不可感化和理喻的。最近中国评剧院上演的现代戏《野马》(薛恩厚、刘敏庚编剧,张玮导演)令人信服地说明,只要以过细的思想政洽工作唤起迷途青年心灵深处的向善感,不单纯依靠惩办主义,就可以把他们重新领上人生正路。《野马》一剧中号称“野马”的青年陈培新,象是《救救她》中的李晓霞的同胞兄弟,可又有不同。他“失迷途其
Youth is at the crossroads of life, great plasticity. Even a youth who has for some reason embarked on a criminal path is not absolutely impotent and altruistic as long as the rational world has not yet been completely obliterated, and there still exists some kind-hearted soil in the inner world. The recent performance of the Mustang in the Chinese Theater of Criticism (Xue Enhou, Liu Mingeng and Zhang Wei) convincingly demonstrates that as long as the slightest ideological and political work evoke the kind-hearted feeling of the lost youth, it is not simply relying on punishment, You can take them back to the right path of life. Chen Peixin, a young man known as “Mustang” in the “Mustang” play, may be different from his brother and brother Li Xiaoxia in “Saving her.” He "lost his way