论文部分内容阅读
20世纪60年代初,文化部提出了整理改编传统戏、新编历史剧和现代戏“三并举”的戏曲剧目政策,倡导在创作历史剧和现代戏的同时,也不能忽视对数百年历史积淀中浩如烟海的戏曲传统剧目的改编和演出。由于有时代局限性,戏曲传统剧目往往精华糟粕杂糅。上世纪50年代以来,党领导下的戏曲改革(改人、改制、改戏)运动中,传统剧目改编秉承“推陈出新”原则,发扬精华,剔除糟粕,对作品思想内容进行“脱
In the early 1960s, the Ministry of Culture put forward the drama repertory policy of reorganizing traditional drama, new historical drama and modern drama, and advocating that while creating historical drama and modern drama, we should not neglect the historical accumulation in hundreds of years Adaptations and performances of traditional dramas of dramatic opera. Because of the limitations of the times, the traditional drama of the opera tends to blend in the essence and dregs. Since the 1950s, under the leadership of the party’s opera reform (reform, restructuring and reform), traditional repertoires have been adhering to the principle of ”innovation" to promote the essence, eliminate dross, and carry out the ideological content of works