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我们中华民族的传统绘画,通常简称为“中国画”,它有着非常鲜明的民族特色和极其丰富的内涵,在世界艺术宝库中闪烁着夺目的光彩,被誉之为东方艺术的典范。因此,对中国画艺术形式和规律的研究是至为必要和有意义的工作。过去已有不少志士仁人发表了许多宏文高论,不乏慧识卓见,取得了丰硕的成果。但是,从中国画艺术语言特点的角度来深入剖析,还未全面展开。为此,愿意谈一点个人在学习过程中的肤浅体会,期望和同志们交流。
The traditional painting of our Chinese nation, often referred to as “Chinese painting” for short, is characterized by its distinctive national characteristics and extremely rich connotations. It is a symbol of oriental art blossoming in the world’s art treasures. Therefore, the study of Chinese art forms and laws is necessary and meaningful work. In the past, many Civic and Benevolent people have published many high-profile articles, many of whom have made great achievements and achieved fruitful results. However, in-depth analysis from the perspective of the characteristics of Chinese painting art language has not yet fully developed. For this reason, I would like to talk about the personal experience of learning in the superficial experience and expectations and comrades exchanges.