清末民初北方地区的戏曲改良活动,大致经历了三个阶段。第一个阶段是1906-1907年田际云、崔灵芝编演改良新戏带动的第一波改良浪潮。此前几年中,北方地区报纸经常发表鼓吹戏曲改良的言论,但戏曲界响应者寥寥;1906年惠兴女士殉学事件在京津地区成为一大社会新闻,又时值教育救国的学界风潮涌动,素有新思想的田际云、崔灵芝遂以名伶身份先后编演反映当时社会热点问题的时装新戏《惠兴女士传》、《女子爱国》,在社会各界引起广泛反响,也为北方戏曲界带来了新的风气,推动了戏曲改良活动的高涨。 In the late Qing Dynasty and the early Republic of China, opera improvement activities in the northern region generally experienced three stages. The first stage was the first wave of improvement driven by Tian Xin Yun and Cui Ling Zhi in 1906-1907. In the previous few years, newspapers in the northern region often made comments that preached opera reform. However, there were only a handful of respondents in the opera industry. In 1906, Ms. Hui-xing’s martyred event became a major social news item in Beijing and Tianjin. Dynamic and new ideas Tian Yun, Cui Lingzhi then as the celebrity identity has compiled a reflection of the social hot issues of the new fashion show “Lady Hui Xing”, “Patriotic Women”, aroused widespread repercussions in the community, but also for the northern opera circles Brought a new atmosphere and promoted the improvement of opera reform.