“诗者,所以宣元郁之思,光神妙之化者也。”“诗者,乃精神之浮英,造化之秘思也。”明朝文学家徐祯卿在其诗歌专论《谈艺录》中,对诗歌之要义,谈论甚切。强调诗人受外界客观事物的触发而产生的感情活动是诗歌创作的本源。“的确,每次面对空白纸张的时候,总会觉得我必须要为自己重新发掘文学。”(《博尔赫斯谈诗论艺》)故诗歌不是凭空臆想,更不能是闭关的自我咏叹,当然更要杜绝小我意识的极度泛滥,私欲膨胀的宣 “” Poet, so Xuan Yu Yu think of the light of the magic of those also. “” The poet, is the spirit of the Fu Ying, the mystery of good fortune too. “Ming Dynasty writer Xu Zhenqing in his poem monograph ”On Art Record“, the essence of poetry, talk very much. It is the origin of poetry that emphasizes that the poet’s emotional activity triggered by the external objective things. Indeed, every time I face blank paper, I always feel that I have to rediscover the literature for myself. ”(“ Borges talk about poetic art ”) Therefore, poetry is not imaginary, but can not be closed Self-chant, of course, but also to eliminate the extreme proliferation of self-consciousness, selfish bloated propaganda