中国画的继承与创新

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讲中国画,我想讲讲中国画的标准。南齐谢赫在《古画品录》中提出了中国绘画上的“六法论”。在谢赫以前,没有人讲过“六法”,但“六法”的思想已有端倪,是谢赫把它综合归纳提出来的,这对中国画的创作和赏鉴是一个很大的贡献,在国际上也受到重视。什么叫“六法”?一、气韵生动;二、骨法用笔;三、应物象形;四、随类赋彩;五、经营位置;六、传移模写。第六条不但是中国画,其他各种画都可以用。“六法”中的“气韵生动”也是最好的准则。此外的五法,都是达到这个标准的必要条件。倘若把“六法”视 Speaking Chinese painting, I would like to talk about the standard of Chinese painting. Nancy Sheikh put forward the “Sixth Theory” on Chinese painting in The Ancient Paintings. Before Sheikh, no one has ever talked about the “six laws,” but the idea of ​​“six laws” has taken shape. Sheikh put it in a comprehensive induction. This is a great contribution to the creation and appreciation of Chinese paintings. Also received attention. What is the “Six Laws”? First, the vivid charm; Second, the bone with a pen; Third, the object should be pictographic; Fourth, with the class color; Fifth, business location; Article 6 is not only Chinese painting, but also various other paintings. The “vivid” in the “Six Laws” is also the best guideline. In addition, the five laws are the necessary conditions to achieve this standard. If the “six laws” as
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