清初,政权更替,社会动荡,对艺术造成的影响,尤以众多僧侣画家出现,成为艺术史上特殊的现象。这些僧侣画家以出世修道之人所作之画,有别于“人文画”“士大夫画”等,从内容上看,更加注重对佛法的宣扬和传播;在具体绘画表现上,佛门以般若为智慧,离世求菩提,重视佛学和修养,追求绘画意境。清初四位出家入僧的画家弘仁、髡残、八大山人和石涛,他们都擅书法、诗文、山水画,各有风格,对后世产生巨大影响。以下列举清代四僧与佛教的因缘,进入佛门荡涤俗尘,用笔 In the early days of the Qing dynasty, the regime change and social unrest had an impact on the arts, especially the appearance of many monks and painters, which became a special phenomenon in the history of art. These monks and painters made their paintings by people born out of monasticism different from “humanistic paintings” and “scholars’ paintings.” In terms of content, they pay more attention to spreading and spreading Buddhism. On the specific painting performance, Buddhism Prajna for wisdom, to seek Bodhi death, attention to Buddhism and self-cultivation, the pursuit of painting mood. At the beginning of Qing Dynasty, four painters who were monks and nuns, such as Hongren, Wutai, Badashanren and Shi Tao, all of whom were good at calligraphy, poetry and landscape painting, each having their own style, had a tremendous impact on later generations. The following lists the four monks and Buddhism in Qing Dynasty origin, into the Buddhist door to wash down vulgar dust, with a pen