中国农民画表现了农民的现时存在和记忆,获得一种个人性的意义,同时也可以摆脱偶然性进入真实显现的理想性中。农民画研究现象的反思批判同样建构着其存在样态,在解释话语作用下寻求完整的、统一的世界。农民画源初于人们在日常生活中对美的自发追求,农民画的存在就是建立一个世界。 Chinese peasant paintings show the present existence and memory of the peasants, gaining a sense of individuality, and at the same time being able to get out of chance into the real ideal of being. The reflection and criticism of the phenomena of peasant paintings also construct their existing patterns and seek a complete and unified world under the influence of the explanation of the words. The source of peasant painting first came from people’s spontaneous pursuit of beauty in their daily life. The peasant painting’s existence is to establish a world.