探讨“玉堂春”之审美情感转换的分析,本质是探讨小说之“悲”走向剧场之“喜”的过程。这样的转化不仅是基于小说文本的矛盾冲突,以艺术欣赏的心理发展逻辑为据,通过“喜”的审美期待、丑角的植入两个方面来实现的。同时,来自于纯粹形式的审美情感本身转移了艺术欣赏过程中对悲喜情感的关注,从而弱化甚至忽略了或悲或喜的生活情感,抵达纯粹审美快感的享受中。 The analysis of the transformation of the aesthetic emotion in Yutang Spring is essentially the exploration of the process of the “sadness” of the novel moving towards the “hi” of the theater. Such transformation is not only based on the contradictory conflicts of the text of the novel, but also based on the psychology of artistic appreciation, through the aesthetic expectation of “Joy ” and the implantation of the clown. At the same time, the aesthetic emotion from the pure form itself shifts the attention paid to the emotions of sadness and joy in the process of artistic appreciation, thus weakening or even neglecting the feelings of life, sad or happy, and reaching the enjoyment of pure aesthetic pleasure.