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金连富在《马克恩和恩格斯关于悲剧与喜剧同一性的理论》(载《北方论丛》91.4)一文中说:马克思和恩格斯的悲剧理论主要是建立在社会形态、社会制度和事物的肯定性基础之上,也就是建立在合理性基础上的,而喜剧理论则主要是建立在否定性基础之上的,但不管怎样,它们都是必然的,是不可解的。它们都是社会历史发展过程中必然出现的,是人类审美观照社会历史的必然结果。正像肯定和否定是一对相互对立而又在最高本质上同一一样,悲剧和喜剧也具有同一性。
In his article “Theories on the Identity of Tragedy and Comedy,” by Mark Klein and Engels (in The Northeastern Tribune 91.4), Jin Lianfu said: The tragedy theory of Marx and Engels is mainly based on the affirmative basis of social formations, social systems and things , Which is based on the rationality of the foundation, while the theory of comedy is mainly based on the negative basis, but in any case, they are inevitable and unsolvable. All of them are inevitable in the development of social history and are the inevitable result of the aesthetic history of mankind. Just as affirmation and denial are a pair of antitheses but at the same supreme level, tragedy and comedy also have identity.