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《将相和》的对话袁我和盛戎真正进行艺术交流是从《将相和》开始。我和少春1950年先排这出戏,谭富英、裘盛戎来看过戏,表示也准备排。我和少春后来去东北演出,翁偶虹先生专程回北京帮助他们改本子,等戏正式上演,翁偶虹又赶回东北。翁偶虹向我介绍那一个《将相和》——唱儿增多了,但是因之也砍掉我们这一个
The dialogue between “phase harmony” Yuan Yuan and Sheng Rong really started their artistic exchange from “phase harmony”. I and Shao Chun first row in this drama in 1950, Tan Fuying, Qiu Shengrong came to see the show, also said to be prepared. After I went to the northeast with Shao Chun, Mr. Weng Ou Hong made a special trip back to Beijing to help them change the book. The play was officially staged and Weng Ou Hong went back to the northeast. Weng even introduced to me that a “phase and” - singing more children, but also cut us off this one