戏剧界有一句戏言:编剧的权力最大。意思是说舞台上人物的出、入、生、死,都由他笔下点定。此语只道出其结果,未说透其成因。其实,一部成功的剧作,必然是艺术结构严谨的作品,成功的关键在于人物的塑造。剧中人的出场与否,其命运如何,并非可以随意安排,而是有其必然性。潮剧《陈太爷选婿》目前还只能说是站得住脚,但我已深尝人物安排这一环节的个中滋味。由于史料不多,《陈》剧除了主人公陈仕颖和第二主角郑佐龙二人史册有名外,其余人物都是依据我的“土法”:“可能发生的事情和可能出现的人物”而虚构的。这有一定的难度。难在哪里呢?我的体 There is a joke in the theater: Writers have the most power. Means that the characters on stage out, into, life and death, all by his pen order. This language only shows its result, did not say through its cause. In fact, a successful drama must be a rigorous piece of art. The key to success lies in the shaping of characters. It is not inevitable that a person plays in the drama or not, but his fate is not arbitrarily arranged. The tide “Chen Tai Ye Eros” can only say that at present is tenable, but I have a deep taste of the character arrangement of this part of the taste. Due to the small amount of historical data, the “Chen” drama is composed of the hero Chen Shiring and the second protagonist Zheng Zarong, both famous in the annals of history. All the other characters are based on my “native law”: “what may happen and the possible characters” The fictional. This has a certain degree of difficulty. Where is it difficult? My body