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本文对20世纪90年代以来艺术批评界有关当代水墨两难命题的评论进行了梳理,通过理论分析进而揭示出阻碍当代水墨发展的真正的两难命题。
This essay reviews the critique of art criticism about contemporary dilemma of ink and wash since the 1990s, and through theoretical analysis, reveals the real dilemma propping up the development of contemporary ink and wash.