(一 )纵观曲艺艺术发展的历史 ,可以发现 ,其传播媒介以及演出———欣赏场所的每一次更迭和丰富 ,都使其在题材、内容、风格等诸多方面有所扬弃、有所演进 ,并在不同程度上促进了其自身的发展。 (二 )进入网络时代 ,传播媒介由单向变为双方 ;传播范围和时效大幅度扩张 ;文化的多元化并存 ;诸种传媒大融合等新格局 ,将使受众对曲艺的欣赏进入全方位的广阔空间。而如此一来 ,必将推动曲艺从创作、表演、评论、赏析到教学等各领域空前地发展与飞跃。 (三 )未来的曲坛绝不会变成网络曲艺的一统天下 ,而将是从传统形式到现代形式多元共存的格局。其中 ,网络曲艺将以其独具的优长异军突起 ,大展风骚 (A) Throughout the history of the development of folk art, we can find that every change and enrichment of its media and performances - places of appreciation has given up and evolved in many aspects such as theme, content and style , And to some extent promoted its own development. (B) into the Internet age, the media from one-way into both; spread of the scope and aging significantly expanded; the coexistence of cultural diversity; various media such as the integration of a new pattern that will allow the audience to appreciate the art into all-round Vast space In doing so, it will surely promote the unprecedented development and leap in folk art from creation, performance, commentary, appreciation and teaching to other fields. (C) the future of the music will never become a unified network of local folk art, but will be the traditional form of modern forms of plural coexistence of the pattern. Among them, the network of folk art will be its distinctive advantages and prominence prominently, show their talent