北京图书馆藏有《昌黎先生文集》宋刻本一部,残存卷一至卷十六。《北京图书馆善本书目》卷六著录,编号为四九二四。该本为三个南宋刻本汇集而成,原为清人翁同书所藏。对于这三个宋刻本的来源及其特点,学术界至今还很少有人问津。该本卷首翁同书题记以及卷一之末刘痒题识对该本来源曾作过考察,但以赏鉴印象为主,并不是严密科学的版本鉴定。本文根据该本刻工、避讳及其文字特点,考定其卷一至卷九为南宋孝宗初浙刻本,卷十为孝宗时江西刻本,卷十一至卷十六为孝宗时闽刻本。在传世的韩愈集中,这三个刻本都是刊刻年代较早的白文无注本,所存虽为残帙,其价值仍然不可低估。一、孝宗初浙刻本 Beijing Library has a collection of “Changli anthology” a collection of Song, one to sixteen remnants of the volume. “Beijing Library rare book” volume six recorded, numbered 4924. This book is the collection of three Southern Song Engraved from the original collection of Weng Tong Qing. To the origin and characteristics of these three editions of the Song Dynasty, few scholars still seldom talked about so far. The first volume of the book Weng book with the title and the end of the volume of the first itch on the origin of this book has been inspected, but to appreciate the impression that the main, is not a rigorous scientific version of the identification. According to the engraving, taboo and its characters, this paper examines the volumes from Volume I to Volume IX as the inscription of Xiaosongchu in the Southern Song Dynasty. In the Han Dynasty concentrated in the focus, these three engraved books are engraved in the earliest years of the White no note, although the existence of the remains of the residual, its value can not be underestimated. First, Xiaocong first Zhejiang carved this