“苏幕遮欧尤尼”和“巴图尔欧尤尼”原为维吾尔地区的原始民间游戏,后经丝绸之路传入中原,前者演变为汉人熟知的泼寒胡戏,后者即为唐代钵头戏,两者都是东传之西域歌舞戏中的重要代表,自传入中原后广泛流行于宫廷及民间,尤其对唐代歌舞戏的形成和发展产生了重要的影响。这两种歌舞戏一度成为中原统治者重要的娱乐活动,但是在其发源地新疆地区却来自民间,有着深厚的草原农耕文化的底蕴。 Originally folk games in the Uyghur region, it was introduced to the Central Plains through the Silk Road. The former evolved into a predominantly sinister Han opera, The latter is the representative of the Tang Dynasty, both of which are important representatives of the Western Regions’ song and dance performances in the East. They spread widely to the court and folk since their introduction into the Central Plains, and have an important impact on the formation and development of the Tang and Song Dynasties. Impact. These two kinds of song and dance became an important recreational activity of the Central Plains rulers at a time, but they came from the folk in Xinjiang where they originated. They have profound cultural connotation of grassland culture.