二胡作为我国流传广泛、家喻户晓的中国民族拉弦乐器之首,从最初唐宋时期的“奚琴”、“嵇琴”、元代的“胡琴”再到明清时期传遍大江南北,经历了不同时期、不同地域、不同民族的多元文化的影响与融合,形成了不同地域风格的二胡演奏风格并创作了反应不同民族风土人情的二胡作品,深受人们的喜爱。其中,蒙古地区草原文化对于二胡的发展起到了十分 Erhu, as the most widely known and widely known Chinese national stringed instrument in our country, began with “Xiqin”, “Qinqin” in the Tang and Song Dynasties, “Huqin” in the Yuan Dynasty, and then to the Ming and Qing Dynasties Has experienced the influence and integration of the multiculturalism in different periods, different regions and different nationalities. It has formed the erhu playing style of different geographical styles and created the erhu works that reflect the customs of different nationalities and peoples. It is deeply loved by the people. Among them, the Mongolian grassland culture has played a very important role in the development of Erhu