革命样板戏作为“文革”时期一个特殊的文化现象,虽然时过境迁,却仍具有较大的阐释空间。本文采用女性主义批评视角,糅合权力理论、精神分析学说对“样板戏”进行重新解读,通过文本中的两性模式、家庭模式、异化的女性形象进行分析,试图对“文革”时期的性别文化环境做考察研究。 As a special cultural phenomenon during the “Cultural Revolution”, the revolutionary model opera still has a lot of room for interpretation. This article uses the perspective of feminist criticism, combines power theory and psychoanalytic theory to reinterpret the “model opera” and analyzes the gender pattern, family pattern and alienated female image in the text, trying to analyze the “Cultural Revolution” period Sex culture environment do research.