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“形”与“神”的关系是传统人物画最重要的美学命题之一。作为造型艺术而存在的传统人物画,“形”是其核心要素。本文从“形”的最初概念入手,结合传统人物画的发展历程,分析“形”的原始含义与现代意义上的“造型”含义区别,深入总结传统画家对人物观察方法“由内向外”的独特性,提出“以形写神并无形,得意忘形更有形”的当代形神观。
The relationship between “form” and “god” is one of the most important aesthetic propositions in traditional figure painting. The traditional figure painting that exists as the modeling art, “” “shape” is its core element. This article begins with the initial concept of “form”, analyzes the difference between the original meaning of “form” and the meaning of “form” in the modern sense by combining the development of traditional figure painting, “From the inside to the outside ” ’s uniqueness, proposed “In order to describe the god and invisible, proud forget more tangible ” contemporary concept of god shape.