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从贾樟柯拍摄的第一部实验短片《小山回家》到2015年上映的《山河故人》,他始终将镜头对准时代变迁中的普通人,描述、思考他们的生存状态,并注入深切的人文关怀。而时代、人物、命运,构成了贾樟柯电影的几个关键词,也成为贾樟柯电影整体艺术形态的基础。在此,我们将从整体的艺术形态出发进行深入探究,研究在用电影表达个人体验的时候,贾樟柯将视角聚焦在哪些层面、其电影中关注了哪些群体以及又是通过哪些视角来进行观察和思考的。
From the first experimental short film “Hill Going Home” by Jia Zhangke to the “Legend of the Mountains and the Rivers” released in 2015, he has always focused his attention on the ordinary people in the changing times, described and thought about their living conditions and infused profound humanities care. However, the times, people and destiny constitute a few key words of Jia Zhangke’s films and have also become the foundation of the overall artistic form of Jia Zhangke’s films. Here, we will proceed from the overall art form to conduct an in-depth study to study what aspects of Jia Zhangke’s perspectives are focused on when expressing personal experiences with films, what groups are his films focused on, and from which perspectives thinking.