济南地区的佛教石窟造像,作为济南地区佛教文化的重要遗物,必然要在一定程度上反映出不同时期佛教发展变化的不同情况。这乃是它在佛教文化史研究方面的价值所在。表现在造像的性质和风格方面,除具有中原地区造像的一般特征以外,也还必然具有一定的地区特色。这正是艺术风格源流研究所不可缺少的一个方面。并且,在国内隋代和唐初石窟造像遗迹严重缺乏的情况下,济南地区的隋代和唐初造像却相当集中、完整,因而,济南地区石窟造像的研究,也就在我国石窟艺术史中有其特殊的意义。本文的目的即在于以尽可能全面、科学的调查,尝试以类型学的方法,对全部调查材料作具有年代学和风格学双重意义的分期研究,进而初步摸清该地区石窟造像在不同时期内的题材、性质、风格流变情形,及其与国内其他地区石窟造像的渊源关系。 Buddhist statues of Buddhist grottoes in Jinan, as important relics of Buddhist culture in Jinan, necessarily reflect the different situations of the development and changes of Buddhism in different periods to a certain extent. This is its value in the study of Buddhist cultural history. In terms of the nature and style of the statues, besides the general characteristics of the statues of the Central Plains, they must also have certain regional characteristics. This is an indispensable aspect of the origin of artistic style. In addition, the statues of the Sui Dynasty and the early Tang Dynasty in Jinan are quite concentrated and complete in the serious lack of the remains of the statues of the Grottoes in the Sui Dynasty and the Early Tang Dynasty in China. Therefore, the researches on the statues of grottoes in Jinan are also in the history of grottoes in China Have their special meaning. The purpose of this article is to conduct a staging study with the dual meanings of chronology and stylistics on all the survey materials with the most comprehensive and scientific investigation as possible and to try to find out the statues of the grottoes in this area in different periods The theme, the nature, the change of style and its relationship with other statues of the cave in China.