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《暴风骤雨》把仇恨意识渲染为革命的原动力,体现了周立波对政党的现代民族国家想象的高度认同。而弥漫着浓郁乡土气息,富有“阴柔美”的《山乡巨变》,一方面倾向于对乡土民间怀旧的认同书写,一方面呼应着私有制批判的时代共名,呈现出乡村叙事与现代民族国家想象的价值观念的差异和两者的奇异调和。
The Storm shows the hatred consciousness as the impetus of the revolution and embodies Zhou Libo’s high degree of recognition of the political party’s imagination of the modern nation-state. On the one hand, it tends to write about the nostalgia and approval of the local folk. On the one hand, it responds to the age of criticism of the private ownership, presenting a combination of rural narrative and modern nation-states The difference between imagined values and the singular reconciliation of both.