贾科梅蒂确信,绘画就是他沉思重大问题的媒介:“不管雕塑与油画参与与否,素描始终是唯一重要的东西。”他告诉詹姆斯·洛德:“一个人应该完全只关注素描。如果他能够掌握绘画,其余的一切都将不在话下。”下面我会试图沿着贾科梅蒂的人生轨迹,去探寻他心中那段挥之不去的经历,这段经历对他的绘画雕塑创作而言至关重要,构成了他从1950年直至去世这十几年人生中主要的思想以及诸多反主流倾向。从这段经历切入的一大优势,就是能够将原本要花费在研究这一绘画艺术上的大量时间和精力大大缩短;而且即便花费了大量的时间,也很可能是一头雾水,到最后一无所获。 Giacometti is convinced that painting is his medium of meditation on major issues: “Sketch is always the single important matter whether sculpture or painting is involved.” “He told James Lord:” One should focus exclusively on If he can master the painting, everything else will be taken care of. "Here I will try to follow Giacometti’s life trajectory, to explore his lingering experience in his heart, this experience of His paintings and sculpture are of crucial importance in his creation, forming the main ideas and major anti-mainstream tendencies in his life from 1950 until his death. A big advantage of this experience is that it can drastically reduce the amount of time and energy that would otherwise have been spent on the art of painting; and even if it takes a great deal of time, it is likely to be at a loss, .