“垮掉一代”对20世纪后半叶之后的西方文化产生了深远的影响,被文化研究学者们看作是第一支真正意义上的具有“亚文化”风格的后现代主义文学流派。而享有“垮掉之王”之称的杰克·凯鲁亚克所创作的《在路上》不仅在精神方面投放了其敏感细腻的自我意识以及颠覆传统的价值观,更是暗合了亚文化颠覆传统的风格特征,本文试图将亚文化理论作为切入点,以凯鲁亚克的代表作《在路上》为例,力图把握“垮掉一代”疯狂行为背后的深层意义。 The “Beat Generation” had a profound impact on Western culture after the second half of the 20th century and was regarded by cultural studies scholars as the first real postmodernism with “subculture” style Literary genre. The “on the road” created by Jack Kerouac, who enjoys the title of “King of Beatties,” not only puts his sensitive and delicate self-awareness in mind and subverts traditional values, but also subtly subculture Subverting the traditional style and features, this paper attempts to use subculture theory as an entry point and Kerouac’s representative “on the road” as an example, trying hard to grasp the deep meaning behind the “Beat Generation” madness.