本文试图以拉康的结构主义精神分析学来重新审视《等待戈多》的经典含义。文本中等待的对象戈多其实就是拉康理论中的实在界。剧中人的等待行为本身是因为一种重复而表现难以忍受的存在创伤。反戏剧的形式本身使文本放逐意义,而在叙事中获得快感。 This article attempts to reexamine the classic meaning of “Waiting for Godot” with Lacan’s structuralism psychoanalysis. The object of waiting in the text Gordon is actually the real world in Lacan’s theory. The waiting behavior in the play itself is due to a recurring and unbearable presence of trauma. The form of anti-drama per se exaggerates the meaning of the text while gaining pleasure in the narrative.