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尼古拉·凯帕斯汀(1937-)是俄罗斯当代著名的作曲家、钢琴家之一,迄今为止已创作大量钢琴作品。其音乐创作,立足于传统钢琴创作技法,紧密融合了爵士音乐风格与演奏技巧,将两种迥异的音乐语言巧妙地相互交织,形成了独特鲜明的音乐风格。他的钢琴作品在近十年来的音乐创作和钢琴演奏领域中产生了较深刻的影响与深远的意义。凯帕斯汀所创作的钢琴作品题材多样,特征鲜明,《八首音乐会练习曲》为其代表作之一,不断地成为近几年国际国内诸多演奏家、作曲家、理论家竞相研究的课题。本文拟通过对其中第四首与第五首的爵士元素进行分析,最终明确是由“冷爵士”与“布吉乌吉”元素与练习曲体裁相融合的技术显现与演奏要点。
Nikolay Kepstin (1937-) is one of the most famous contemporary composers and pianists in Russia and has so far produced a large number of piano works. Its music, based on the traditional piano creation techniques, closely integrated jazz music style and playing skills, the two different music languages cleverly intertwined, forming a unique and distinctive musical style. His piano works have had a profound impact and far-reaching significance in the field of music creation and piano performance in the past ten years. Kepastein’s piano works by the diverse and distinctive features, “eight concert Etude” as one of its masterpieces, continue to be many international and domestic players, composers, theorists competing issues . This paper intends to analyze the jazz elements of the fourth and the fifth song, and finally it is clear that the technical appearance and performance key points are composed of the genre of “Cold Jazz” and “Buji Wuji” combined with the practice.