本文探讨1910-1920年间风靡巴黎和伦敦的佳吉列夫俄罗斯芭蕾舞团对弗吉尼亚·伍尔夫小说创作的影响,认为该舞团激发了伍尔夫去刻意追寻小说的新的表现形式,并由此提出了“封套”和“变化的节奏”的概念,前者强调世间万物的自由自在、丰富多彩,后者强调事物的存在和发展变化所具有的内在韵味和节律,这两个概念之间构成某种张力,奠定了伍尔夫新的小说形式的基础,标志着其文学理念的升华和小说创作中理念与实践的完美结合。 This article explores the influence of the Diaghilev Russian Ballet from 1910 to 1920 over Paris and London on Virginia Woolf’s novel creation and argues that the dance group inspired Woolf to deliberately pursue the new manifestations of the novel, Put forward the concept of “envelope ” and “changing rhythm ”, the former emphasizes the freedom of all things in the world, rich and colorful, the latter emphasizes the intrinsic flavor and rhythm of the existence and development and change of things Constitute a kind of tension, laid the foundation of Woolf’s new novel form, marking the sublimation of his literary concept and the perfect combination of philosophy and practice in his novels.