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影片《铁面人》有一个摄影镜头很值得玩味:当财政大臣弗盖给菲力普戴上面具,乘小船回去时,菲力普看着远去的小船,痛苦地叫着“为什么?”这时,摄影机代替菲力普的眼睛,在小屋里拍摄小船离去的镜头。观众看到了小船的离去,还看到了铁窗。可是,当火枪手队长达达尼昂救出菲力普时,观众看到的还是小船,还是铁窗。前者,屋里有菲力普,银幕上出现铁窗,增加了菲力普向窗外望的真实性。可后者,屋里没有人,银幕上还是透过铁窗外望,这岂不假吗?不,我认为摄影师是想通过这个
The film “Iron Man” has a photographic lens worth pondering: When Treasury Secretary Margaret Fuh donned a mask and took a small boat back, Phillip looked at the boat going away and screamed, “Why?” At this time, the camera instead of Phillip’s eyes, shot in the cabin to leave the boat. The audience saw the departure of the boat and saw the iron window. However, when the musketeers Datang Niang rescued Phillip, the audience saw the boat, or iron bars. The former, the house Phillip, appeared on the screen iron window, increasing the Phillips to the window of the reality. But the latter, no one in the house, the screen or look out through the bars, is not it false? No, I think the photographer is trying to pass this