最近纽约的热门话题来自一个玩偶:在David Zwirner画廊展出的乔丹·沃尔夫森的《彩色雕塑》(2016)是一个比通常尺寸大很多倍的塑料娃娃。这个红色头发、满脸雀斑的娃娃打扮得像个小飞侠,在电动台架上被链条拽来拽去。借助人脸识别技术,它的眼睛始终盯着观众。雕塑艺术家们在惠特尼美术馆推出的这个名为“镜像细胞”的群展暴露出了物质性的悲惨绝望。这些特别的作品充满了焦虑,就像沃尔夫森的娃娃一样令人不舒服地 Recent hot topics in New York come from a doll: Jordan Wolfson’s Color Sculpture (2016) at the David Zwirner Gallery is a plastic doll that is many times bigger than usual. The red-haired, freckled doll looks like a Peter Pan, pulled by a chain on an electric bench. With face recognition technology, its eyes are always on the audience. The group exhibition titled “Mirror Cell” launched by the sculpture artists at the Whitney Museum of Art exposed material sadness and despair. These special works are full of anxiety, just as uncomfortable as Wolfson’s dolls