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“四王”(王时敏、王鉴、王翚、王原祁)作为后期文人画的代表之一,在中国绘画尤其是山水画发展进程中扮演了重要的角色。在清初“四王”的努力下,传统绘画得到了一次全面的总结。本文从“四王”的仿、“四王”的笔墨和“四王”与董其昌等的比较对“四王”在中国山水画史上的地位和成就进行阐述。
As one of the representative of later literati painting, King of Four (Wang Shimin, Wang Jian, Wang Jian and Wang Yuanqi) played an important role in the development of Chinese painting, especially landscape painting. Under the efforts of the early Qing Dynasty and the “Four Kings”, the traditional painting got a comprehensive summary. This article elaborates the status and achievements of “Four Kings ” in the history of Chinese landscape painting from the imitation of “Four Kings ” and “Four Kings ” and “Four Kings ” and Dong Qichang et al.