意在笔先。这部片子的创意,不只是台本的创意,也不仅是导演和摄像的创意,准确地说,是编导摄三位一体的创意,是艺术综合的创意。创编是基石,导演灵魂,摄像是关键,三个环节紧紧相扣,三个层面如三棱镜急速旋转,在电视画面的最终表现时,你似乎分不清是哪个层面的创意了——也许,这正是编导摄艺术的共识与默契。形式。形式的创新至关重要,这已不是以往“内容决定形式”的一般俗解了。内容和形式是艺术的两大要 Intentions first. The creative idea of ​​this film is not only the idea of ​​Taiben but also the idea of ​​director and camera. To put it in concrete terms, it is the creative idea of ​​editing and taking the Trinity as an integrated art idea. Creation is the cornerstone, the director of the soul, camera is the key, the three links are closely linked, three levels, such as the rapid rotation of the prism, the final performance of the TV screen, you seem indistinguishable what level of creativity - perhaps, This is exactly the consensus and tacit understanding of composing art. form. Formal innovation is crucial, and this is no longer the usual cliché of “content-based forms” of the past. Content and form are the two major aspects of art