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法国批评家让·里夏尔(J．P．Richard)的警句“观念不如顽念重要”，曾经深深地打动了朱朱。我以为，由这句箴言般的断语开启的联想链，会将阅读引向朱朱在诗歌写作中所作的独特探索。在朱朱那里，诗歌的意义处于缄默和幽闭的状态，它们消融在纷繁错落的语词结构中，一如他本人自甘寂寞地隐匿于表面喧闹的诗人群体的边缘。这正是现代诗歌的命运：那些诗篇不会自行敞开，除非遭遇西默斯·希尼(Seamus Heaney)意义上的“挖掘”(digging)，或者“卜水者”般的探测。
The rhetoric of French critic Jean-Claude Jr. (Richard) is “implacable notional” and has deeply touched Zhu. I think the chain of associations opened by this proverbial statement leads reading to the unique exploration of Zhu Zhu’s poetry writing. In Juju, the meaning of poetry is in a state of silence and claustrophobia, which dissolves in the complex structure of words and phrases, just as he is lonely and lonely on the verge of a noisy poet. This is precisely the fate of modern poetry: those Psalms do not open themselves unless they encounter digging in the sense of Seamus Heaney, or probing.