第三个阶段为交响曲创作的转型期(上世纪90年代)。众所周知,1991年12月苏维埃社会主义联盟正式解体,意识形态的变化和政体的更迭以及经济的震荡都给俄罗斯人民带来了深重的苦难。斯洛尼姆斯基作为这场变革的亲历者,他没有像施尼特凯、古拜杜丽娜、杰尼索夫等作曲家一样移居海外,而是选择了坚守在国内工作生活。1992年他创作了《第十交响曲(地狱)》(与其《第九交响曲》相隔5年的时间),这部 The third stage is the transition period of symphony creation (90s of the last century). As we all know, the official collapse of the soviet socialist Union in December 1991, the change of ideology and the change of political regime as well as the economic turmoil have brought deep suffering to the Russian people. As a witness to this change, Slonomski did not emigrate to the rest of the world like composers such as Schneider Kai, Gu Ba Du Lina, Denisov, but chose to stick to working and working in China. In 1992, he created The 10th Symphony (Hell) (five years after its Ninth Symphony)