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在“全球化”逐步深入、无可逆转的当下,现代性已成为以传统音乐为核心研究对象的民族音乐学学科无法回避的问题。文章对近二十余年来民族音乐学领域的英、汉文研究成果进行梳理,提出民族音乐学在与人文社科领域的交流学习中,初步形成了有关现代性的问题意识。通过不同的个案研究实践,与现代性的不同理论话语形成了一定的呼应。文章也指出并辨析了部分研究所存在的“现代化”与“现代性”概念混淆使用的问题。并提出以历史的眼光从对象的切实特点出发进行研究所得到的现代性,即是学科所关切的传统。
Nowadays, “globalization” is gradually deepening and irreversible. Nowadays, modernity has become an unavoidable issue in the field of ethnomusicology with traditional music as its core research object. The article sorts out the achievements in English and Chinese studies in the field of ethnomusicology in the past two decades and puts forward the issue consciousness of modernity in the study of ethnomusicology in the field of humanities and social sciences. Through different case studies and practices, they form a certain response to the different theoretical discourses of modernity. The article also points out and analyzes the problems that some research institutes confuse the concept of “modernization” and “modernity”. And put forward the modernity of carrying on the research from the perspective of the history from the concrete characteristics of the object, that is, the discipline is concerned about the tradition.