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古德曼认为,绘画、雕塑等签名的艺术没有字母符号,缺乏构造性的艺术特质,任何细节的偏离都事关重大,因而可能存在赝品,生产历史是辨认其身份的关键;音乐、文学等非签名的艺术因为有符号系统则不存在赝品,符合符号系统的复制品就是作品的真实实例。西方学人结合西方艺术史和当代艺术的发展,从各个角度辩驳和深化这一命题,揭示了各门艺术的存在方式和基本特征的复杂性及多方面的可能性,推动了艺术本体论问题的研究,其思想观点值得中国学界参考和借鉴。
Goodman believes that the art of signature such as painting and sculpture has no sign of the alphabet and lacks the artistic qualities of constructivism. Any deviations in details are of great importance. Therefore, the existence of fakes and production history may be the key to recognizing their identity. Music, literature, etc. Art without signature has no artifacts because of the symbology, and copies that conform to the symbology are real examples of the work. Western scholars combined with the development of Western art history and contemporary art, argued and deepened this proposition from all angles, revealed the complexity and various possibilities of the existing modes and basic features of various arts, and promoted the problems of art ontology Of the research, its ideological point of view worthy Chinese reference and reference.