晚唐国运衰颓,环境清冷。马戴在晚唐虽不为时人所重,但却能反映当时感伤悲怆的诗风,亦是一位颇有成就的作家,张为的《诗人主客图》将他列为“升堂”弟子即是很好的证明。从其诗歌创作以及与此派门人的“交往”看,马戴登清雅派“升堂”之门大致有三点理由:第一,山水田园诗作内容简净朴实;第二,五言律诗呈现清幽淡雅的特色;第三,马戴与清雅派弟子姚合、贾岛二人颇有交谊。本文以马戴为研究对象,结合马戴所处时代背景,探讨其登清奇雅正派之“升堂”的各种因素。 The late Tang dynasty declines, the environment is cold. Although Ma Dai was not an emphasis on the people in the late Tang Dynasty, Ma Dai was able to reflect the poignant and poignant poetic style at that time and was also a very accomplished writer. Zhang Wei’s “Poet and Master Picture” lists him as “ ”The disciple is a very good proof. From its poetic creation and the “contacts” of this personage, Ma Dedeng’s elegant school has three main reasons: first, the pastoral poems of the landscape are simple and plain; the second and fifth Hermeneutic poems show elegant and elegant features. Thirdly, Ma Dai and his elegant disciples Yao He and Jia Dao have quite good friendships. In this paper, Ma Dai as the research object, combined with the background of the era of Ma Dai, to explore its Deng Qing Qi Ya decent “Church” various factors.