戏仿自诞生以来,与文学、电影、网络都有过接触,但反传统、去内涵的特征使其一直带有边缘化色彩,直到戏仿的积极因素被充分发掘,与文艺经典和民间特色文化结合后,才似乎找到了发展的正途。电视创作正是在跨媒体互渗的大环境下为增加综艺娱乐节目的新质而尝试引入戏仿手段的。几 Since its establishment, parody has had contact with literature, film and internet. However, anti-tradition and deconstruction have always been marginalized until the positive factors of parody are fully explored and are closely related to the literary classic and folk characteristics After the combination of culture, it seems to find the right path of development. Television creation attempts to introduce parody in order to increase the quality of variety entertainment programs in the context of cross-media infiltration. a few