本文以仿生设计为研究对象,采用了文献调查、个案和综合分析、定性分析等研究方法。通过大量收集古代陶瓷仿生实例,分析各时期陶瓷仿生的特点并总结出其发展过程的整体风貌。同时对古代“天人合一”、“象形制器”、“器以载道”等造物思想进行探究,挖掘出“古代仿生思想”的深层内涵,以期对当代陶瓷造型发展提供视角上的开阔和思想上的启迪。 In this paper, bionic design as the research object, using the literature survey, case and comprehensive analysis, qualitative analysis and other research methods. Through a large collection of ancient ceramic bionic examples, analyze the characteristics of ceramic bionics in each period and summed up the overall style of its development process. At the same time, it explores the conceptions of creation in the ancient times, such as the unity of man and nature, the image-shaped device, and the device in order to reveal the deep connotation of the ancient bionic thought, The development of ceramic modeling to provide a broad perspective and ideological inspiration.