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最近在纽约大都会博物馆刚刚结束了一个题为“纸上的选 择”的特殊展览,这个为期半年的展览对南非艺术家威廉·肯 特里奇的艺术创作历程进行了回顾与阶段性的总结。“纸上的 选择”这个题目本身就已给这位艺术家作了基本的定位。在此 之前的许多评论都认为,威廉·肯特里奇是当代最有影响的多 媒体艺术家之一。作为一个百科全书式的博物馆,纽约大都会 博物馆习惯于展出载入史册或者业已成名的艺术家的作品,同 时其展览方式也不同于一般的画廊或其他有特色的现代艺术 馆,它更多地是对艺术家或者艺术现象作概括性的定位和展 现,因而这个展览与肯特里奇以往的任何一次个展都不相同。
Recently a special exhibition titled “Paper Choice” was just concluded at the Metropolitan Museum of New York in New York. This six-month exhibition reviews and stages the artistic creation of South African artist William Kentridge. The subject of “paper choice” itself has given the artist a basic orientation. Many of the comments made before that point out that William Kentridge is one of the most influential multimedia artists in the world. As an encyclopedic museum, the Metropolitan Museum of Art in New York City is accustomed to displaying work that has been put on record or well-known by artists, and at the same time exhibits in a way that is different from that of galleries or other distinctive modern galleries. Is a generalized positioning and presentation of the artist or artistic phenomenon, so this exhibition is different from any previous solo exhibition at the same time.