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今天中国的艺术歌曲究竟是不是艺术歌曲，这是一个无法回避的问题，但确实又是一个在困惑着我们的问题。什么是艺术歌曲的当代性？多元性？什么是艺术歌曲的美？或者这些观念是否都应当从艺术歌曲的语境内驱逐出去？或者艺术歌曲根本就不再有自己的领域？或者创新的定义就是不?
Whether China’s artistic songs today are artistic songs or not is an unavoidable question, but it is indeed another problem that puzzles us. What is the contemporary nature of the art song? Diversity? What is beauty of art song? Or should all these concepts be expelled from the context of the art song? Or art songs simply no longer have their own areas? Or the definition of innovation is not?