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雷蒙·威廉斯在重新审视艺术的诗性特征时,提出了“情感结构”概念,在承认艺术惯例有效作用下,强调了艺术与日常生活经验之间不可分割的联系。基于这一认知,他对西方现代戏剧艺术进行了研究,认为西方戏剧艺术形式的变迁及戏剧“情感结构”与西方社会文化发展变迁紧密相关,西方现代戏剧和悲剧观念的发展展示出社会文化扩张的整体趋势。对于这种扩张,威廉斯持支持立场,他认为,现代严肃戏剧的扩张对新的“共同文化”的形成有重要意义。威廉斯的戏剧研究方法富于创建性和活力,包含着对文艺特性的重新思考,对当代艺术研究有着重要的启示。
In re-examining the poetic traits of art, Raimon Williams proposed the concept of “emotional structure,” emphasizing the inextricable link between art and the experience of everyday life, acknowledging the effective functioning of the art. Based on this cognition, he studied western modern drama art and concluded that the change of western theater art form and the drama “emotional structure ” are closely related to the development and changes of western society and culture. The development of western modern drama and tragedy concepts shows The overall trend of social and cultural expansion. For this expansion, Williams supported the position. He believes that the expansion of modern serious drama is of great significance to the formation of a new “common culture.” Williams’ method of drama research is rich in creativity and vitality, which includes rethinking the characteristics of literature and art and has important implications for the study of contemporary art.