两年前,一位报杜的记者曾来访问过我,希望对“当前版画为何不景气”的问题表示我的看法。当时我认为主要的原因是由于市场经济的冲击,版画的经济效益不及国画和油画,以致许多版画家不得不放弃版画创作,而去改作其它画种的创作,版画创作队伍缩小,创作的数量当然也就减弱了。不景气还表现在另外两个方面,版画展览的观众越来越冷落,报刊杂志发展版画也越来越稀少。这些事实尽管是客观存在,但我对版画的现状并不抱悲观的态度,因为任何事物的发展都不是始终如一的,有时前进,有时后退;有低潮,也有高潮;它是由于主客观条件的变化而引起的。前两年版画是处在低潮的时期,我们不 Two years ago, a reporter from Du visited me and hoped to express my opinion on the question of “why the current print business is sluggish.” At that time, I thought the main reason was that due to the impact of the market economy, the economic benefits of printmaking were lower than those of traditional Chinese painting and oil painting. As a result, many print artists had to abandon printmaking and change their writing to other paintings. Also weakened. The recession is also manifested in two other aspects, the audience of printmaking exhibitions have become increasingly neglected, and the development of printmaking in newspapers and magazines has become increasingly scarce. Although these facts are objective facts, I am not pessimistic about the status quo of prints because everything does not develop consistently, sometimes advances, sometimes retreats, has low orgasms, and because of subjective and objective conditions Change caused. The first two years of print is in a period of low ebb, we do not