村上春树《世界尽头与冷酷仙境》的主人公在该小说第1章所步入的那条长长的走廊和主人公所看到的那些杂乱无章、毫无次第的房间编号,分别来源于意大利实用主义者巴比尼的走廊比喻和美国哲学家詹姆士关于实在的“人的因素”观念,它们与主人公的典型的实用主义者形象相呼应,共同营造了该小说整体上的实用主义氛围。 Murakami Haruki “The End of the World and the Cold Fairyland,” the protagonist in the first chapter of the novel into the long corridor and the protagonist to see those chaotic, no second place of the room number, respectively, from the Italian pragmatism Barbiz’s corridor metaphor and the American philosopher James’s notion of real “human factor ”, which echo the hero’s typical pragmatist image and jointly create the overall pragmatic atmosphere of the novel .