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本文根据上世纪70年代以来法国批评界、学术界对香港电影的评论和研究史料,对法国的香港电影研究史进行了梳理,根据其研究重心、研究方法的变化,把香港电影在法国的传播分为四个时期,并重点分析了法国学界在香港电影研究方面的三个主要话题。笔者通过对这些文章、著作核心观念的提取与概括,结合法国与香港在电影文化上的历史互动,总结出法国在香港电影接受过程中的特色,为研究华语电影在欧洲的传播提供可借鉴的研究思路。
Based on the critiques and research materials of Hong Kong films by French critics and academics since the 70s of last century, the history of the study of Hong Kong films in France is sorted out. Based on the changes of its research focus and research methods, this paper analyzes the dissemination of Hong Kong films in France It is divided into four periods and focuses on the three major topics that the French academic community has in Hong Kong’s film studies. By extracting and summarizing the core concepts of these essays and writings and combining with the historical interaction between France and Hong Kong in film culture, the author summarizes the characteristics of French film acceptance in Hong Kong, and provides reference for the study of the spread of Chinese films in Europe Research ideas.