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石刻菩萨像为四川宋代佛教造像的重心所在。本稿以实地调查获取大量第一手资料为基础,采用考古类型学与美术史样式论相结合的方法,着眼于服装、装身具与躯体形态三个方面,分析四川宋代石刻菩萨像造型的发展情况。就结论而言,北宋晚期至南宋早期,菩萨像服装、装身具、躯体形态多样,富于变化,绍兴年间(1131~1162年)形成繁缛华丽的造型风格。南宋中晚期,菩萨像造型趋向统一,形成疏密有致的视觉效果。四川宋代石刻菩萨像造型与当时社会生活息息相关,形象地展现佛教艺术世俗化进程。
Stone carving Buddha statue in Sichuan Song Dynasty as the center of gravity. Based on a large amount of first-hand information obtained from field surveys, this article adopts the method of combining archeology and art history style, focusing on the three aspects of clothing, body-wearing and body-forming, and analyzes the development of stone carvings in Song Dynasty in Sichuan. In conclusion, from the late Northern Song Dynasty to the early Southern Song Dynasty, the Bodhisattvas were dressed like costumes and costumes, and their bodies varied in form and variety. During the Shaoxing years (1131 to 1162), they formed a gorgeous style. In the late Southern Song Dynasty, Bodhisattva styling tended to unify and formed a sparsely populated visual effect. Stone carving Buddha statue in Song Dynasty in Sichuan is closely related to the social life at that time, vividly demonstrating the secularization of Buddhist art.