当代中国文艺批评正处在一个方法变革的文化语境中,一个本体深刻反省的时代氛围,一个重新解读人与世界关系的历史节点上。人类是把文艺看作自身生存意义的多维体悟和揭示.在不断苦苦执迷之时又惊醒地发现“乱轰轰你方唱罢我登场”的文艺批评早已使艺术价值从生命的根基中抽身而去,文艺审美批评则陷入一种“前不见古人,后不见来者”的绝唱的尴尬之境。文化失落的信仰悲观,理性毁灭的哲学忧患,在这个感情与理性、有限与无限、经验与超验普遍冲突和对立的时代,一大批锐意进取和卓有成效的文艺理论家和批评家,他们面对世界与人类自身的撞击和分裂,企图重新以审美批评的这一中介形式去弥合世纪末的这种惨痛裂痕.新的理论视界、思维方式、语言表述,给当代中国文艺理论和文艺批评带来了新的风骨与激情.他们在解构人 Contemporary Chinese literary and art criticism is in a cultural context of methodological change, an ontological atmosphere of profound introspection and an historical nodal point of re-interpretation of the relationship between man and the world. Mankind regards literature and art as the multi-dimensional understanding and revelation of his own existence significance.While continuing his hard work and perseverance he discovered that the literary criticism of “ Withdrawing from the body, aesthetic critique of literature and art has plunged into an awkward position of extolling the song ”before the ancients, but not after". The pessimistic beliefs of culture, the philosophical calamity of rational destruction, the large number of progressive and fruitful literary theorists and critics in this age of confrontation and confrontation between emotion and reason, limitedness and infinity, experience and transcendence The collision and disintegration of the world and humankind in an attempt to re-establish the painful rift at the end of the century with this medium of aesthetic criticism.The new theoretical horizon, ways of thinking, and language expressions brought about contemporary Chinese literary theory and literary criticism New style and passion. They are deconstructing people